Kathryn Stevens' works are informed by architecture and it's related methods of constructing and imaging space.  

In the earlier works there was a deliberate ambiguity in the drawing. The grids, and the planes they implied, required that the viewer co-create the space.

Stevens current paintings are based the idea of folding as a generative, sequential and transformative process. Stevens is using folding as a means of generating space as the subject. 

The canvas is flat. The subject folded, but not unfolded -yet to realise its potential as Object/Space.